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Music can make or break a movie.
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And in a few special cases, it can jump out of the silver screen and take on a life of its own. To view the full top , click here. Read more: These are the 15 best film scores of the 21st century. Not only did he write the music he also starred in it alongside David Bowie and Tom Conti. Elmer Bernstein happily lived off the royalties from his jaunty, triumphant, catchy and extremely hummable theme to The Great Escape.
He would probably have been bemused at its appearance at England football matches, where it has been a fixture since the mids. The most famous guitar riff in cinema has featured in every official Bond film since Dr. No , when it accompanied the opening title. It appeared again over the opening credits for From Russia with Love , and from then on became as integral to the James Bond universe as corny one-liners and gadgets.
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The guitar riff heard in the original recording of the theme was played by Vic Flick, who was paid a one-off fee of £6 for recording the tune. The Shawshank Redemption centres on one man convicted of murder but, despite the circumstances, the film focuses on themes of hope and redemption. This movie was written and directed by Frank Darabont and based on a Stephen King novella. Reed immediately decided that this was the music he wanted for the film and Karas was enticed to London, where he wrote and recorded the soundtrack over six weeks.
An unconventional soundtrack to the very unconventional interpretation, the touching piano theme for the Balcony Scene has become the standout moment. Not only is Armstrong a talented Scottish musician and composer who won a Grammy Award for his film score for Ray, but he used to be a face in the Scottish pop music scene as a member of Hipsway and Texas! Before embarking on this score, Zimmer was told to let his imagination run wild.
What emerged was a densely constructed, imaginative, electronic sound world, incorporating a guitar sound reminiscent of the music of Ennio Morricone played by Johnny Marr, former guitarist of The Smiths. One of the most iconic pieces of film music, the two-note shark motif that made going in the sea terrifying almost becomes a character in its own right.
When Williams first played the two notes to Spielberg on a piano, the director initially laughed, thinking it was a joke. A woman, her daughter and her piano arrive in 19th-century New Zealand for an arranged marriage.
Best movie soundtracks ever: the most iconic movie music - Stuff
But her future husband refuses to move the piano from the beach. In a bid to get her piano back, she agrees certain favours with an illiterate neighbour. Producers of the film Dangerous Moonlight had their eyes on Rachmaninov to write their score. The lugubrious Russian wasn't that keen, so the job of penning the music went to Richard Addinsell. Despite all that, it's fair to say that even he passed on much of the work, too: it fell to the arranger and orchestrator Roy Douglas to knit together the melodies and turn them into a fully orchestrated, heart-on-your-sleeve concert piece, known as the Warsaw Concerto.
Full of indulgent harmonies and grand Romantic gestures, the piece remains hugely popular today. The second, incredibly successful Pirates romp picks up where the first movie left off, at the wedding of Will Turner and Elizabeth Swan. Before either can say 'I do', Captain Jack comes between them again in his quest to save his soul from Davy Jones and a watery grave.
Hans Zimmer's score is just as over the top as Depp's portrayal of Jack Sparrow. It's music with its nostrils flared, its chest out and its tongue in its cheek.
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Something of a minor Hollywood legend, Powell has provided the soundtracks to some incredible money-shifting blockbusters throughout the years try The Bourne trilogy, for starters. As the song chalked up 16 weeks at No. The overture remains a favourite with school and military bands. Evocative and seductively melancholy. Jarre became involved in the epic after both William Walton and Malcolm Arnold had proved unavailable.
Despite this, and the brief six weeks he was given to write the score, Jarre came through with music that perfectly captures director David Lean's vast desert setting and Peter O'Toole's Oscar-winning turn as Lawrence.